Raja Feather Kelly is one of the busiest choreographers Off-Broadway, with a half dozen shows currently or soon to be on stage. All but one of them are straight plays.
As I detail in my profile of him on TDF Stages,How Raja Feather Kelly Gives Shows All the Right Moves, Kelly sees himself as a “movement dramaturg” involved in every movement, and every moment, of a play, not just the musical numbers. Several of the plays don’t even have musical numbers.But directors Sarah Benson, Liliana Blain-Cruz, and Lila Neugebauer swear by him; they and playwright Branden Jacobs-Jenkins are quoted in the article.

Below, photographs from past and present productions, both Off-Broadway and from his “dance-theater-media” company, the feath3r theory.

Current and forthcoming shows
Hurricane Diane,  by Madeleine George, directed by Leigh Silverman, at New York Theatre Workshop through March 24
If Pretty Hurts, Ugly Must Be a Muthfucka, by Tori Sampson, directed by Leah Gardner, at Playwrights Horizons through March 31.
Mrs. Murray’s Menagerie, by the Mad Ones, directed by Lila Neugebauer, March 26th through April 27th at Ars Nova’s new home in Greenwich House.
A Strange Loop, by Michael R. Jackson, directed by Stephen Brackett, May 24 – July 7 at Playwrights Horizons.
Fairview, by Jackies Sibblies Drury, directed by Sarah Benson, June 2 – June 30, Theatre for a New Audience
We May Never Dance Again by Raja Feather Kelly and the feath3r theory, June 6th and 7th, The Invisible Dog

one of the dance numbers in If Pretty Hurts

Hurricane Diane

Hurricane DIane, Becca Blackwell as the demigod

“Fairview”

The Death of the Last Dead Man in America by Suzan-Lori Parks: Roslyn Ruff and Daniel J. Watts

“Another Fucking Warhol Production,” one of the 19 pieces created by Raja Feather Kelly as part of his company, the feath3r theory.

Raja Feather Kelly choreographing Michael C. Hall in “Skittles Commercial The Musical,” which was presented at Town Hall at the afternoon of Super Bowl LIII

January LaVoy as the Duchess and April Matthis as Queen Victoria in Adrienne Kennedy’s Funnyhouse of a Negro, the first Off-Broadway play in which Raja Feather Kelly was involved.

Fireflies

“Another 37 Reasons to Cry,” a piece by Raja Feather Kelly as part of the feath3r theory

Raja Feather Kelly showing a dance step to the company of “Color Me Warhol,” a piece for the feath3r theory imagining what A Chorus Line would be like if Warhol had created it.

Everybody, by Brendan Jacobs-Jenkins

Poster for the forthcoming piece for the feath3r theory/New Brooklyn Theatre

The House That Will Not Stand New York Theatre Workshop