Dance Nation is a surprise, and a shock, and a delight. Although the characters are a team of 13-year-old competitive dancers from Liverpool, Ohio aiming to win the Boogie Down Grand Prix in Tampa Bay, Clare Barron’s play is not really about dancing. It is a funny, sharp and very blunt look at adolescent girls – portrayed by a terrific cast made up of actors as old as 60.
Although there are a couple of dance numbers, director and choreographer Lee Sunday Evans is not aspiring to be a next-generation Michael Bennett. Dance Nation is less reminiscent of Bennett’s musical A Chorus Line than of Sarah DeLappe’s The Wolves, a play about a soccer team of teenage girls, and Annie Baker’s Circle Mirror Transformation, a play about an adult acting class. As in those plays, the actual activity is only the frame for sometimes random-seeming scenes whose purpose is to get to know the characters. Dance Nation is at its most entertaining and revealing in between the actual dancing.
Full review at DC Theatre Scene
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