“King Lear” begins with a foolish ruler swayed by flattery, and ends with what Royal Shakespeare Company artistic director Greg Doran calls “a strange, profound unease.” Shakespeare’s tragedy is, in other words, as relevant as ever. And Doran’s often visually arresting if rarely shattering production at the Brooklyn Academy of Music’s Harvey Theater, which stars Antony Sher as Lear, is as good as any to remind us of the Bard’s insights into stormy times, and the self-delusions of the powerful.
Full review at DC Theatre Scene
Click any photograph by Richard Termine to see it enlarged
















