Off Broadway Spring 2016 Guide

As Hamilton director Thomas Kail makes clear this season, Broadway may beckon, but Off-Broadway is the room where it happens.

Kail is directing two plays Off-Broadway – “Dry Powder” at the Public, starring The Office’s John Krasinski making his New York stage debut, and “Daphne’s Dive” at the Signature, written by Pulitzer-winning playwright Quiara Alegría Hudes, who shares Broadway credentials with both Kail and Lin-Manuel Miranda. (She is the book writer for Miranda’s “In The Heights.”)

Danai Gurira, who until last year was best known for her role as Michonne on The Walking Dead TV series, will see her play “Eclipsed” transfer from Off-Broadway to Broadway this season. But one day after “Eclipsed” is scheduled to open, a second play of hers, ‘Familiar,” is opening at Off Broadway’s Playwrights Horizons.

Even Harold Prince — as in the Prince of Broadway — is directing a new musical Off-Broadway this season, his first new work for a New York stage in nine years.

Other Broadway stalwarts with new shows Off-Broadway include Pasek and Paul (best-known for A Christmas Story), Alfred Uhry (Driving Miss Daisy, Parade), Stew and Heidi Rodewald (Passing Strange), Lydia Diamond (Stick Fly), John Patrick Shanley (Doubt), and Enda Walsh (Once)

If the line between Broadway and Off-Broadway seems increasingly porous, there are still significant differences, which require separate approaches.  Broadway is more or less a collection of random individual potential hits or misses. (See my Broadway Spring 2016 Preview Guide.)  Off-Broadway is not as easy to get your hands around — there are many more shows and most have limited runs; the theaters are more spread out geographically and far more numerous — some 200 theaters/theater companies, or five times the number of Broadway houses.  But it also features a solid number of producing theaters, who reliably present a rich, adventurous and diverse season of shows, at lower prices than Broadway.

It thus makes sense to organize an Off-Broadway preview by focusing on these individual seasons, presented in the order of my preference for the particular theaters   (determined by such factors as their recent track record, the promise of the new season, and by the overall experience I’ve had with the theater, both as theatergoer and as critic.)

I’ve put a red check mark — √ — besides ten about which I’m especially excited, or intrigued, or at least notably hopeful. This can’t count as a recommendation, because I haven’t seen them yet. I plan to see almost everything below, and expect to be surprised.

PLAYWRIGHTS HORIZONS 

416 W. 42nd St. Twitter: @PHNYC

Annie Baker’s “The Flick” is one of six plays that originated at Playwrights Horizons that have won the Pulitzer Prize for Drama. It offers new plays and musicals that are consistently satisfying, or at least intriguing.

Familiar by Danai Gurira

February 12 – March 27, 2016

“It’s winter in Minnesota, and a Zimbabwean family is preparing for the wedding of their eldest daughter, a first-generation American. But when the bride insists on observing a traditional African custom, it opens a deep rift in the household.”

Antlia Pneumatica by Anne Washburn

March 11 – April 24, 2016

Washburn (who forever has my attention, thanks to her Mr. Burns, a Post-Electric Play) writes about a once tight-knit group of friends who reunite to bury one of their own.

Indian Summer by Gregory S. Moss

May 13 – June 26, 2016

Spending an unpleasant summer with his grandfather, in an unfriendly Rhode Island beach town, Daniel soon meets Izzy, who is tough-acting, beguiling, and taken.

THE PUBLIC THEATER

425 Lafayette Street. Twitter: @PublicTheaterNY

The original home of the Broadway hits Hamilton and Fun Home, as well as Eclipsed, opening on Broadway this season.

Under the Radar Festival, 12th edition

January 6-17, 2016

Cutting-edge theater from around the U.S. and the world.

The first performance of each of the Public’s main shows below is offered for free by lottery. 

Southern Comfort

February 23 – March 27, 2016

A bluegrass-tinged musical based on a documentary that tells the true story of a group of transgender friends living life on their own terms in the back hills of rural Georgia

The Gabriels, Election Year in the Life of One Family

√ Play One: Hungry

February 27 – March 20

As a kind of follow-up to Richard Nelson’s impressive series, The Apple Family Plays, the playwright is writing a three-play cycle about a different family in the same upstate city of Rhinebeck, using the same approach — the discussion of politics happening on the same day as the play itself is unfolding.

Dry Powder

The wheeling-dealing of the executives (including John Krasinski) in a private equity firm.

March 1 – April 10

Head of Passes

March 15 – April 17

Inspired by the Book of Job, this play by Tarell Alvin McCraney (The Brother/Sister Plays) and directed by Tina Landau presents the story of Shelah (Phylicia Rashad) who must fight to survive during a reunion held on her birthday.

The Total Bent

May 10 – June 12

A British record producer courts a Southern black composer in this musical written by Stew and Heidi Rodewald, the team behind Passing Strange.

The Mobile Shakespeare Unit: Romeo & Juliet 

April 11 – May 1

Directed by Lear deBessonet

 

SIGNATURE

480 West 42nd Street. Twitter: @signaturetheatr

As the first New York theater to win the Regional Tony Award, the Signature now has some solid proof of what has been clear to its patrons for years.  What has distinguished this theater is not only its track record, but its commitment to keep the price of all tickets for initial runs to $25.

This season is special for two reasons — it’s the 25th anniversary season, and it’s the last one under founding artistic director James Houghton.

Old Hats

January 26 – March 2016

A return of Bill Irwin and David Shiner signature clowning.

√ Angel Reapers

February 2 to March 13. Opens February 22.

Playwright Alfred Uhry and choreographer/director Martha Clarke team up on this “theatrical collage” about the Shakers, the early American religious sect best-remembered now for their furniture, whose members were committed to celibacy. Actual traditional Shaker songs and movement are incorporated.

Daphne’s Dive

April 26 – June 5, 2016

Directed by Thomas Kail, this play is the first of several at the Signature to be written by Quiara Alegría Hudes. “Daphne’s Dive is a cheap corner bar in North Philly where Daphne and her vibrant, eclectic regulars drink to art, politics, and life.”

√ SIGNATURE ONE ACTS

Edward Albee’s The Sandbox
María Irene Fornés’ Drowning 
Adrienne Kennedy’s Funnyhouse of a Negro

May 3 – June 12, 2016

SECOND STAGE *

Smart People

January 26 – March 6. Opens February 11.

Written by Lydia Diamond and directed by Kenny Leon — the same team that brought us Stick Fly – the comedy focuses on four Harvard intellectuals who find themselves entangled in a complex web of social and sexual politics on the eve of Obama’s first election.

√ Dear Evan Hansen

March 26 – May 22. Opens May 1

A hit when it played at Washington, D.C.’s Arena Stage, this original musical tells the story of a high school student who is mistakenly thought to be best friends with a classmate who had committed suicide.   Michael Greif (Rent, Next to Normal and Grey Gardens) directs, with music and lyrics by  Benj Pasek and Justin Paul (A Christmas Story, Dogfight) and a book by Steven Levenson (Showtime’s “Masters of Sex”).

VINEYARD THEATER

108 East 15th Street Twitter: @VineyardTheatre

Dot

February 4 – March 13, 2016

Written by Colman Domingo and directed by Susan Stroman, “Dot” examine’s Dotty’s struggles to navigate life with dementia, while her children fight to balance care for their mother and care for themselves.

√ Indecent

“May – June 2016”

In the same season that the much-anticipated Shuffle Along presents the backstage story to a famous Broadway musical from the 1920’s, Paula Vogel’s new play looks at the events surrounding the 1923 Broadway debut of Yiddish-theater playwright Sholem Asch’s controversial drama God of Vengeance, which dealt with prostitution and lesbianism and whose cast was successfully prosecuted for obscenity.

NEW YORK THEATER WORKSHOP

79 East 4th Street. Twitter: @NYTW79

Red Speedo

February 17, 2016—March 27, 2016

Lucas Hnath (The Christians) writes about an Olympic swimmer who “confronts the lure of endorsements, the perils of mixing the personal and professional, and the unforgiving weight of success.”

 Hadestown

Inspired by Orpheus’ mythical quest to overcome Hades and regain the favor of his one true love, this musical developed and directed by Rachel Chavkin  (a name you’ll keep on hearing), with folk and jazz music by Anaïs Mitchell, takes place in an “industrialized world of mindless labor and full stomachs.”

LINCOLN CENTER THEATER*

@LCTheater

The shows at Lincoln Center’s Off-Broadway venues are relatively inexpensive (especially at the Claire Tow theater, where initial-run tickets cost $20) and often rewarding.

The Royale

February 11 – May 1.  Opens March 7.

Written by Marco Ramirez and directed by Rachel Chavkin, the play is “loosely based on the real-life experiences of Jack Johnson, the first African-American heavyweight world champion.”

Her Requiem

February 6 – March 20. Opens February 22.

Written by Greg Pierce and directed by Kate Whoriskey: “Caitlin takes her senior year off from high school to compose a full-scale requiem. Inspired by her dedication, her father, Dean, becomes obsessed with requiems and the people who love them, while her mother, Allison, becomes concerned about Caitlin’s isolation from everyone aside from her music teacher.”

War

May 21 –

Written by Branden Jacobs-Jenkins (Appropriate, An Octoroon and Gloria.) “Tensions escalate between Tate and Joanne after their mother has a stroke. As they attack each other in their mother’s hospital room, they are ambushed by two strangers who make a shocking claim about their grandfather during WWII.”

 

Mother Courage and her Children

December 9 – ?

Tonya Pinkins left this production citing creative differences, so it’s up int he air when it will open and when the run will end.  Bertolt Brecht’s most popular play about a Mother Courage who follows one luckless army after another across a war-torn world, has been transposed to the present-day Congo. Duncan Sheik (Spring Awakening) has written a new score for the play.

√ Nathan the Wise

March 18 –

F. Murray Abraham stars an adaptation of this 18th century play by Gotthold Ephraim Lessing. “Jerusalem, 1192. Muslims, Christians and Jews live side by side thanks to a fragile truce that could collapse at any moment. As the tension mounts a question arises from the ruling Sultan: “which religion is the one most beloved by God?” Nathan, a pious Jewish merchant, is charged with answering this question to help secure the continued safety of his people.”

Peer Gynt

May 11 –

Director John Doyle (Passion, Allegro)adapted Ibsen’s tale of the misadventures of young Peer from childhood renegade to outcast, adventurer, industrialist…

ATLANTIC

√ Skeleton Crew

January 6 — February 14, 2016. Opens January 19.

“In Dominique Morisseau’s third play in her Detroit trilogy, a makeshift family of workers at the last exporting auto plant in the city navigate the possibility of foreclosure”  Directed by Ruben Santiago-Hudson.

Hold Onto Me Darling

February 24 – April 3

The new play by Kenneth Lonergan focuses on a world-famous country singer who questions his celebrity after his mother’s death, and moves back to his hometown; “it doesn’t go well.”

Feb 24 — April 3, 2016

√ The Band’s Visit 

May 19 – July 10

A musical by composer David Yazbek and playwright Itamar Moses, based on the funny 2007 Israeli film about an Egyptian military police band who get the wrong directions and wind up in a small forgotten town in the Isareli desert.

This is the new musical directed by Harold Prince.

Update: Harold Prince dropped out, and The Band’s Visit will now be directed by David Cromer — in the Fall.

The Ruins of Civilization

May 4 – . Opens May 18.

A couple open their home to a stranger in need sometime in the future, with unexpected results. Written by Penelope Skinner (The Village Bike)

Incognito

May 3 to June 26, 2016. Opens May 24.

Written by Nick Payne (Constellations) and directed by Doug Hughes (Doubt.) “A pathologist steals the brain of Albert Einstein; a neuropsychologist embarks on her first romance with another woman; a seizure patient forgets everything but how much he loves his girlfriend.”

OTHER (POTENTIAL) HIGHLIGHTS

 

The Glory of the World at Brooklyn Academy of Music – Jan 16 – Feb 6, by Charles Mee, about Catholic monk Thomas Merton.

Sojourners at Playwrights Realm, January 21 – February 13 – written by Mfoniso Udofia, directed Ed Sylvanus Iskandar. A Nigerian immigrant wants to return home after she gets her degree; her arranged-marriage husband wants to stay.

Buried Child at The New Group,  February 2 – March 13. revival of Sam Shepard play with a stellar cast including Ed Harris and Amy Madigan.

 Pericles at Theater for a New Audience February 14 – March 27.The Shakespearean play will be directed by Trevor Nunn with music composed by Shaun Davey and performed by PigPen Theatre Co.

Nice Fish at St. Ann’s Warehouse February 14 – March 13. Mark Rylance stars in a play he co-wrote with his favorite poet, Louis Jenkins, about two men ice-fishing.

—

Other companies worth checking out:

59e59

Ars Nova

Irish Repertory Theater

Ma-Yi Theater Company

Mint Theater Company

Primary Stages

Rattlestick Playwrights Theater

 

There are also commercial Off-Broadway shows, put together by independent producers that appear in theaters for rent, such as:

Cherry Lane Theatre
Daryl Roth Theatre
Gym at Judson
Lucille Lortel Theatre
New World Stages
Orpheum Theater
The Players Theatre
Snapple Theater Center
Theatre Row
Union Square Theater
Westside Theatre

*THE ASTERISK: Off-Broadway AND Broadway

*Just to complicate matters, several of the resident theaters also present shows on Broadway –  Lincoln Center, Manhattan Theater Company (MTC), the Roundabout Theater Company, and starting this season, Second Stage Theatre, which has bought the Helen Hayes. Their Broadway offerings are listed in my Broadway Spring 2016 Preview Guide

What Is Broadway, Off-Broadway, Off-Off Broadway?

Off-Broadway theaters, by definition, have anywhere from 100 to 499 seats. If a theater has more seats than that, it’s a Broadway house. If it has fewer, it’s Off-Off Broadway.

There are some terrific Off-Off Broadway theaters, sometimes confused for Off-Broadway. These include (but are not limited to) The Flea, Labyrinth Theater, and LaMaMa ETC.

Monthly Calendar of Openings

Because there are so many shows Off-Off Broadway, and their runs are so limited, I include them in my monthly theater preview (along with Broadway and Off Broadway openings) posted near the beginning of each month.

My latest monthly calendar guide

FOR MORE INFORMATION

For more information about Off-Broadway, go to  The League of Off-Broadway Theatres and Producers (aka The Off-Broadway League).  This should not be confused with the Off-Broadway Alliance, which is a separate organization (though they should probably merge, no?)