“I was tall and I was strong,” recalls the oldest woman in Edward Albee’s Three Tall Women, and you believe it, because it is Glenda Jackson, who commands even as she winces in pain or cries in embarrassment or drifts into sad memories.
Jackson hasn’t been on a Broadway stage since 1988; she took a long detour from acting to become a member of the British Parliament . Three Tall Women has never been on a Broadway stage before. The 1994 Off-Broadway production of the play restored Albee’s reputation after 20 years of critical drubbing, winning him his third Pulitzer Prize for Drama.
Jackson makes clear how much we’ve missed out by her absence from acting. But this is just one of the many triumphs of this exquisite Broadway premiere directed by Joe Mantello and co-starring Laurie Metcalf and Alison Pill. It is hard to imagine a better production of Albee’s humorous, caustic, secretly compassionate look at a life – and a death. It feels a fitting homage to the playwright, who died in 2016.
Full review at DC Theatre Scene