The annual April Broadway marathon begins this coming week — 14 openings in 21 days, with two of these shows opening on the Tony eligibility cut-off date of April 23, 2015.
The shows opening in April represent two-thirds of the entire Spring 2015 Broadway season.
In the meantime, we celebrated World Theatre Day and Tennessee Williams’ birthday this past week, and we say goodbye to some great Off-Broadway shows.
With the Nether closing at MCC Theater, here’s an interview with its author, Jennifer Haley, the first major playwright of the digital age.
Below: news of new casting, new cast albums, old shows saying goodbye, and the worst people in theater — and no, these are not critics. Indeed, scroll down for a couple of arguments (backed by some statistical evidence) in favor of critics. Forty-five percent of the reviews over the past ten years by the two main theater critics of the New York Times, Ben Brantley and Charles Isherwood, were positive, according to a recent calculation by Broadway producer Ken Davenport, who owns the review aggregation site Did He Like It. (The complete info graphic below.)
Also: Putting cell phone annoyance in perspective.
The Week in New York Theater News
The Fantasticks is closing May 3, after some 3,500 performances at the Snapple Center. It opened at the Sullivan Street Thetaer Off-Broadway in 1960, 55 years ago, closing in 2002, then reopening at Snapple in midtown in 2006.
Jason Alexander will succeed Larry David in Fish In The Dark on June 9.
Brandy, aka @4everBrandy, will play Roxie Hart in @ChicagoMusical starting April 28. pic.twitter.com/cGpNQ02gaO
— New York Theater (@NewYorkTheater) March 24, 2015
2015-16 @SignatureTheatr season, its 25th, breathtaking
Albee, Miller, Annie Baker, Quiara Alegría Hudes… pic.twitter.com/ENC4Cq3xvp— New York Theater (@NewYorkTheater) March 26, 2015
… Maria Irene Fornes, Adrienne Kennedy, Bill Irwin, etc.
Details here
The cast album of On The Twentieth Century, recorded this week, will be released in May.
Out today: The @ShKBoom cast album for @PublicTheaterNY's #TheFortressOfSolitudehttp://t.co/IoTMJpnsTt pic.twitter.com/rSwaTgdSiK
— New York Theater (@NewYorkTheater) March 24, 2015
Patti LuPone and Bobby Cannavale star in The Acting Company’s The Rose Tattoo by Tennessee Williams, April 27th only, Samuel Friedman Theater
.Mark Twain House has commissioned @noahaltshuler1 to adapt Tom Sawyer for the stage. The playwright is 17 pic.twitter.com/kCKUb8h2T2
— New York Theater (@NewYorkTheater) March 24, 2015
Week in Theater Articles
With 14 shows still to open on Bway (1/3 the whole 2014-2015 season), Gordon Cox of Variety assesses how the 2015 Tonys are shaping up.
Arts participation is closely linked to civic engagement, says research by the National Endowment for the Arts
Eight theater podcasts recommended by Robbie Rozelle in Playbill.
Stage shows are most alive at the first preview
Joe Allen, Broadway restaurateur for 50 years, and the origins of the Joey Awards
Tennessee's literature & sex life both began in New Orleans
#ATCA2015 @TWFestNOLA http://t.co/iUEkn3Ekks pic.twitter.com/U72HE3WrBF— New York Theater (@NewYorkTheater) March 24, 2015
Week in Previews and Promotions
Kevin McCollum is producing two shows the same season with “no brand” — Hand to God, and Something Rotten http://bit.ly/1BnHO2B
McCollum has history of putting “risky” shows on Bway – such as Rent, Avenue Q, and The Drowsy Chaperone.
How three Broadway novices wrote Something Rotten
Composers Ben Neill and Mike Rouse @ben_neill & @mikelrouse created #TheDemo, musical about the moment that launched the digital age
“I had not been prepared for the power of a really good musical.” Alison Bechdel, says about Fun Home, the musical based on her graphic memoir.
The Week in Wisdom
Secret to creativity? Creative people say “no” a lot, using their time for their work, writes Kevin Ashton
Critics, not artists, should be responsible for “audience engagement,” writes theater artist Rachel Walshe.
The worst people in theater. e,g, The Bully, The Dictator Director, The Protector of Broadway.
Forty-five percent of the reviews by the two main theater critics of the New York Times, Ben Brantley and Charles Isherwood, were positive over the past ten years, according to a recent assessment by Broadway producer Ken Davenport, who owns the review aggregation site Did He Like It. Only 29 percent were negative, and 26 percent were mixed. Here is the info graphic, summarizing his calculations.
Cell phones are far from the first device that irritated theatergoers:
