Lin-Manuel Miranda briefly danced with Rita Moreno, and interviewed her about her Oscar-winning role as Anita in “West Side Story” before a screening Sunday of the 1961 movie at the United Palace of Cultural Arts in Washington Heights, attended by some 1,600 people! At 82, Moreno, who published a memoir last year, is still working; she told Miranda she is making a TV pilot for Amy Poehler.
The United Palace began life in 1930 as an improbably elegant vaudeville house and movie theater. It is one of the few surviving gems of its era, and Manhattan’s fourth largest theater, just blocks from the George Washington Bridge. It was turned into a non-profit cultural center in 2012, and what they’re doing there, helped along by “Sunday Movies at the Palace with Lin-Manuel Miranda,” feels like an effort to create a few bridges — between screen arts and live performing arts, between uptown and downtown.
This is a week for bridges, I suppose. A musical adaptation of The Bridges of Madison County opened on Broadway. James Franco, who is about to debut on Broadway, wrote an essay in the New York Times defending the recent erratic antics of Shia LaBeof, who was going to debut on Broadway last year — trying to create a bridge between actor and audience? Bronx Bombers, a play about the New York Yankees, announced it will close after only 29 performances on Broadway, its producers yet again unsuccessful in their attempt to create a bridge between sports and theater fans.
Off-Broadway Week, 2-for-1 tickets, runs now through March 2.
The Week in New York Theater
Monday, February 17, 2014
While well-meaning, Gwydion Suilebhan has some very scary suggestions for using tech to measure theater audience’s response.
Gwydion Suilebhan (@GwydionS) Boo
Jonathan Mandell: Hey I don’t want to be wired for “galvanic skin response” when I go to see a show, thank you very much.
Howard Sherman (@HESherman): I’d submit, for test purposes. Just so long as you don’t force my eyes to stay open, as in A CLOCKWORK ORANGE.
Jonathan Mandell @NewYorkTheater Intermission at Titanic, at Lincoln Center. They’ve just hit the iceberg. This is SO well done
New exhibition at the Main Library on 42nd St. on Raisin in the Sun, including Hansberry’s manuscript, pictures of cast, Tennessee Williams telegram
Digital technology in service of the arts has kinks to work out, as this grouch points out unsupportively
Angela Lansbury, with a career spanning 70 years, will be honored by the American Theatre Wing at its annual gala September 15th.
How writing works
1.Think of something that doesn’t exist but should
2.Don’t stop until it exists
3.Make it better
Vanessa Williams will be the “Special Guest Star” vocalist in After Midnight from April 1 to May 11.(after Toni Braxton and Kenny Edmonds)
A revival of Edward Albee’s A Delicate Balance “is in the works for next season,” says Michael Riedel, starring Glenn Close.
Free Barn Series readings by LAByrinth Theater (Philip Seymour Hoffman’s old company) Feb 25 – March 9
My review of Love and Information
At the end of Caryl Churchill’s dazzling experimental play “Love and Information,” theatergoers have spent two hours watching 15 actors portray 100-plus characters in more than 60 scenes, some as short as a few seconds, none longer than a few minutes — each scene, no matter how brief, with its own costumes and props: Two characters elaborately dressed as Elvis Presley impersonators, both looking as if they stayed up too late and drank too much, slouch silently in their seats, until one says: “The difficulty of getting the Israelis and Palestinians to…” Blackout. That’s the whole scene….At around the point where the intermission would have been, I started feeling “Love and Information” overload. I loved it anyway.
Full review of Love and Information
Bronx Bombers will play its final performance on Broadway March 2, less than a month after opening Feb 6.
The producers’ first sports play, Lombardi, (about football) ran seven months, the second, Magic/Bird (about basketball) 37 performances. This one about baseball will be closing after 29 regular performances.
Broadway vet Christopher J Hanke (Rent, Cry-Baby,etc) will be replacing Michael Urie in Buyer And Cellar starting March 18th.
And what will Michael Urie be doing? He’ll be touring with Buyer and Cellar — Chicago in May, DC in June, LA in July.
James Franco in defense of Shia LaBeouf, whose “performance art” is trying to “reclaim his public persona”
As an actor, you’re often the most visible part of a project while having the least amount of say over its final form~James Franco
In his will, Philip Seymour Hoffman asks that his son be raised in a city so he can enjoy “the culture, arts and architecture”
Apollo Theater, amateur no more: On its 80th birthday, “the legendary Harlem theater doubles programming and plans to launch its first international tour.”
Theater and Politics – Howlround chat
Jonathan Mandell: “Politics” is like “community.” It seems to mean different things to different people. In danger of losing meaning
@MrSamuelFrench: Do playwrights set out to make a political statement with their work? Or does it happen naturally in it?
Tiffany Antone @LadyPlaywright Have to walk a fine between storytelling and preaching. Audiences don’t like to be talked AT. Tell the story
Bridges of Madison County reviews
Click to enlarge
The costs of running a theater. Cape May Stage turns their budget into a scene.
Opening tonight at Quad Cinema: The Standbys, a documentary film about performers like Merwin Foard, the current standby for Aladdin, who never perform.
“Unlike understudies or swings.. standbys only get onstage if there’s been a disaster” Announcements of their performance are often greeted by boos
Arts Education and Theater Attendance
Mike Lew @MikeLew4 Arts Education Won’t Save Us from Boring, Inaccessible Theater
Well-argued, but I disagree.
Anybody here have personal experience of arts education making a difference in your theatergoing or theater-making? #artsed
@NewYorkTheater My high school #artsed removed my fear of Shakespeare. It made me want to his plays done professionally onstage.
— Bobby Rivers (@BobbyRiversTV) February 21, 2014
@NewYorkTheater I chose my career in arts ed based on my experiences as a student & have perpetuated that legacy w/many of my own #artsed
— James Hammer (@The_Drama_Coach) February 21, 2014
@NewYorkTheater It was through an after-school theatre program I saw my first Broadway show. I fell in love.
— Heather Clough (@gypsysmiles) February 21, 2014
@NewYorkTheater So enamored w/visiting actors in 3rd gr; I rewrote perf from mem & tried staging at recess; has informed my #artsed career
— Jim DeVivo (@jimdevivo) February 21, 2014
@NewYorkTheater Flipside of arts ed: daughter (10) reluctant to see Rylance in Twelfth Night b/c “I saw the second graders do it last year.”
— Tina Fallon (@tina24hour) February 21, 2014
What do you get when you combine Snoopy w/ climate science? #DontbeSadFlyingAce FREE play by @SuperheroCH NYU’s Kimmel Center 3/4 7:30
Happy 39th Birthday Bobby Lopez, father of two daughters, and of Avenue Q, The Book of Mormon, Frozen…and much to come.
Q and A with Lopez about Frozen.
Maria von Trapp, the last surviving member of the Trapp Family Singers that inspired the Sound of Music, has died at age 99.
“Before you have any resources, before you have anyone who’s willing to give you a shot, you have your own gut of what you think is good…
I was enormously frustrated as a young director by the fact that I am a very visual thinker; I always had design ideas and I had no money, and so it was very frustrating. It was like this wants to be 4,000 feet of snow, but we’ll settle for this paper bag.” ~ director Lear deBessonet
An incredible time from @americanrep to @MenagerieBWY. I’m so proud & grateful to have been a part of this production pic.twitter.com/dSRedIJIqi
— Celia Keenan-Bolger (@celiakb) February 23, 2014
The Glass Menagerie comes to an end today.