
Eighteen women have won the Pulitzer Prize for Drama, from “Miss Lulu Bett,” which Zona Gale adapted from her own novel in 1921, to “The Hot Wing King” by Katori Hall in 2021 –a century of women honored for writing for the stage. Some two dozen other female playwrights have been Pulitzer finalists since the finalist category was created in 1983. During Women’s History Month, we celebrate them and their work.
(Each play title is linked to an Amazon page where you can learn more about it, and purchase the script.)
Zona Gale, Miss Lulu Bett, 1921 (the link is to the novel)
Susan Glaspell, Alison’s House, 1931 (the link is to a collection of Glaspell plays)
Zoe Akins, The old maid,, 1935
Mary Coyle Chase, Harvey, 1945
Frances Goodrich, The Diary of Anne Frank., 1956 (co-written with Albert Hackett)
Ketti Frings, Look Homeward, Angel, 1958
Beth Henley, Crimes of the Heart., 1981
Marsha Norman, ‘night, Mother, 1983
Wendy Wasserstein, The Heidi Chronicles., 1989
Paula Vogel, How I Learned to Drive, 1998 (a production of which is opening on Broadway next month, starring the original cast)
Margaret Edson, Wit, 1999
Suzan-Lori Parks, TOPDOG UNDERDOG, 2002
Lynn Nottage, Ruined, 2009
Quiara Alegría Hudes, Water by the Spoonful, 2012
Annie Baker, The Flick, 2014
Martyna Majok , Cost of Living 2017
Lynn Nottage, Sweat 2018 (Nottage is the only woman to win the Pulitzer Prize for Drama twice.)
Jackie Sibblies Drury, Fairview 2019
Katori Hall, The Hot Wing King, 2021
The biggest gap between awards is the 60s-70s when Women’s Lib was big. Coincidence, irony, or conspiracy?