KPOP, the wildly (and loudly) entertaining immersive theater piece offering the audience a tour of a Korean pop music factory, begins and ends with 15-minute concerts by the Korean boy group F8 and girl group Special K, dressed in Olympic-style jumpsuits or sexy black leather outfits, as well as the solo artist MwE, clad in sultry gowns.
What may be most impressive about their energetic performances, complete with synchronized gyrations beneath a disco ball or behind dramatically billowing stage smoke, is that everything about them – including all 23 songs they sing – was created, a la The Monkees, just for this show.
Click on any photograph by Ben Arons to see it enlarged and read the caption
KPOP is the result of a collaboration between three remarkable New York theater companies – Ars Nova, best-known for having developed the groundbreaking Natasha, Pierre and the Great Comet of 1812; the Ma-Yi Theater Company, which for three decades has explored issues of identity and assimilation through original work by Asian-American artists; and The Woodshed Collective, a company whose explorations of the outer limits of site specific theater included an amazing show called Empire Travel Agency, a kind of on-the-town spy-murder mystery that took place in such venues as an abandoned building and a speeding car. The DNA from each of these combines in this novel creation, which takes over the entire new non-profit performance art complex A.R.T./New York Theatres to recreate the new American outpost of an ambitious Korean music label.