The 50 best plays and 10 greatest musicals of the last century are all available as books to read, but what are the best books about the theater?
That’s the question I asked in giveaway contests for two books:
Below are 15 books (one of them in two volumes) selected by the contestants, with some of their comments. Click on the the titles for links to a page where you can learn more about the book, read excerpts, and purchase a copy.
Act One: An Autobiography by Moss Hart
“I picked up the book after I saw the show at Lincoln Center, and I’ll admit that I didn’t know much about Moss, or the show really, before I went in. I left the theatre feeling inspired and rejuvenated with my love for theatre. I read the book in two days and felt even stronger feelings upon finishing it. It’s incredible how vivid his stories are, especially from his childhood. And the book often feels like a novel, not a memoir, because the dialogue is so rich. Easily one of my favorite books about theatre for sure.”
This contains Stephen Sondheim’s two volumes of annotated lyrics, written separately, Finishing the Hat and Look I Made a Hat.
Stephen Sondheim has always been my favorite musical theatre composer/lyricist. His collection is an invaluable resource to any Sondheim fan/theatre lover. These books provide an insight of the process of song writing and creating a musical in general and give a brief history of how each of his shows came to be. The West Side Story and Sweeney Todd chapters were especially useful while I was working on productions of those shows for a better understanding of the original work.
“It’s such an insightful and thorough look at the insides of the current American musical, and shows the start of such musicals from Rodgers & Hammerstein to Stephen Sondheim. It truly is a great read.”
“It wowed me earlier this year. I got the book over the holidays and devoured it – I was so impressed by how clearly and intelligently he dissected the American musical. Not only does it work as an analysis of the American musical, but it can serve as a guidebook for creating musicals – what the essential elements are (and how they exist in musicals) and why they work in the creation of a show. It’s a wonderful read, and while it may not be the BEST book (that would probably go to Sondheim’s Finishing the Hat and Look I Made a Hate) but it certainly is one of the most interesting and entertaining I’ve read.”
Not Since Carrie: Forty Years of Broadway Musical Flops by Ken Mandelbaum
It’s just full of fascinating stories – sometimes the shows that DON’T work are more interesting than those that do, because there are just so many things that can go so terribly wrong…I love seeing the thought processes behind these “failures,” and of course for every so-called flop out there, there’s someone who actually cherishes that show for various reasons! It’s important to remember even Broadway’s mistakes, especially because they can hopefully help us all learn from them for next time
“One of the best books written about the history of Broadway and it’s roots. It’s huge, has tons of cool photos and it is accompanied by great videos of each chapter. Bonus: it has an intro by Julie Andrews.”
Original Story: A Memoir of Broadway and Hollywood by Arthur Laurents
“It was incredibly honest about himself and the theatre folks he worked with over the years. Laurents was able to create a richly detailed tapestry of a story while not glossing over the moments that were challenging.”
“The Empty Space” by Peter Brook. This book showed me more of what theatre can, could, and should be than any class I ever took in college. He takes theories and movements that I was familiar with and turned them into something I had never imagined, allowing me to grow as a director and artist.”
David Merrick – The Abominable Showman: The Unauthorized Biography by Howard Kissel
“We can all learn how to be a creative genius/monster from the actions of David Merrick!”
THE SEASON A Candid Look At Broadway by William Goldman
“It is certainly dated in more than a couple of ways, but I can’t think of many more books that have impacted the way I think about the business and ecosystem of New York Theatre the way that that one has. From the flops to the hits, not only do you get to be jealous of the standard ticket prices of the shows in the late 60s, you learn about why certain shows connect with critics or audiences and other shows don’t. And the idea of “The Muscle” who is the chief driving creative force behind a production, is something I think about all the time in regards to both Broadway and Hollywood.”
Theatre of the Unimpressed: In Search of Vital Drama by Jordan Tannahill
Theatre of the Unimpressed by Jordan Tannahill. The book mostly functions as a diagnostic of the state of contemporary theatre in Canada and attempts to establish a standard for revitalization. Not everything is agreeable, and the book is more about problems than solutions, but it really gets the wheels in my head turning.
Ghost Light: A Memoir by Frank Rich
“It passionately describes how a love for musical theater is born out of both a need to escape into something beautiful and a desire to relate to characters in a range of emotional states. Personal and lovely”
How Does the Show Go On: an Introduction to the Theater by Thomas Schumacher
I love it because it’s geared towards kids and is written to excite a new generation of audience members and theatre artists
“It’s a story of the actress who got to play Elphaba in Wicked, and it’s really wonderful because it goes through all the audition calls, the rehearsal process and the show itself. For the student actress as me, it’s one of the best resources to get more familiar with theatre work. I always wondered how it goes on Broadway, what happens after you get the role, is it any different from what I know… Felicia reveals just so many little details! I learned a lot of new things about American theatre while sitting in Russia and drinking my tea. That’s the magic. And that’s the theater.”
Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History by Glen Burger
“It goes into detail about the decline and fall of Turn Off the Dark. Understanding what makes a show with ‘everything going for it’ fail helps us recognize what is needed for a show to succeed.”
“Reading that book not only gave me insight to Lin Manuel Miranda’s world, but all of his collaborators as well. Reading Hamilton is much like reading other books, even though it is nonfiction there are still literary elements that spark imagination. When I read about Hamilton, I can’t help but feel an appreciation for art. Creating art is one of the most ambitious challenges anyone can face. To create art you have to become vulnerable, explore different styles, and above all show humanity. With automation in the 21st century it is difficult to find true human work in anything. Hamilton, the whole world of Hamilton, is unadulterated humanity, and that is why I love the book.”