Had I seen the Signature’s fine revival of Athol Fugard’s most popular play just a few days earlier, I might have appreciated it primarily as a well-wrought work of theater, relegating its depiction of the brutal effects of state-approved racism to a safely distant time and place. Now the play feels more like an urgent warning.
The 84-year-old playwright directs the Signature production himself, and he does it with a masterful attention to details.
Full review at DC Theatre Scene
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Full review at DC Theatre Scene