The week in New York theater seemed full of news about the 1960’s. With a musical officially scheduled for Broadway about Janis Joplin and another by Woody Allen, and the cast announced for the stage adaptation of “The Bridges of Madison County” (which takes place in the 1960s), the 2013-2014 Broadway season is shaping up into a revisit of that tumultuous decade: There are also shows promised about the Beatles (two, in fact), Carole King, and Shlomo Carlebach, the “rock star rabbi” of the 1960s.
Of course, the feeling of a return to the 1960s wasn’t limited to the stage: The two Supreme Court decisions advancing same-sex marriage were in some ways the next step in a movement that began in the 1960’s. The Court’s ruling the day before gutting the Voting Rights Act makes more relevant the announcement that two different plays about Lyndon Baines Johnson, who pushed through the landmark civil rights law, were aiming for Broadway.
Other shows announced this week for Broadway: “After Midnight,” with the music of Duke Ellington, and the first-ever stage adaptation of a John Grisham novel. Others are still aiming for the Rialto, but haven’t yet booked a theater or announced an opening date.
There is still time to enter the ticket contest for Forever Tango. Simply describe your favorite dance number on a New York stage.
For more on dance, see Tommy Tune (scroll to “28”)
The Week in New York Theater
June 24, 2013
“Cotton Club Parade,” which debuted at New York City Center, has been renamed “After Midnight,” and will open at Broadway’s Brooks Atkinson theater on November 3
He doesn’t just *play* Mr. Shue on Glee: Matthew Morrison is planning to open a string of real Glee schools.
“I’m trying to create an accredited school programthat would go nationwide and hopefully global eventually,” he told The Guardian. “I am the product of a public arts education & I wouldn’t be where I am today if I hadn’t found that passion at a young age.”
“Holler If Ya Hear Me,” featuring the music of Tupac Shakur is still aiming for Broadway this season, helmed by Kenny Leon.
Second Stages forthcoming season features “The Happiest Song Plays Last,” the third play in the trilogy by Pulitzer-winning playwright Quiara Alegría Hudest, and Laura Eason’s “Sex with Strangers,” with David Schwimmer directing
First-ever stage version of any John Grisham novel, A Time to Kill, is set to open on Broadway’s John Golden Theater October 20, 2013
Delighted that “Tony bump” includes plays, especially Vanya and Sonia and Masha and Spike (which had gotten a 30 percent spike in sales since The Tony Awards) although the broadcast short-shrifted straight plays.
Spike Lee will be filming Mike Tyson’s stage show, which Lee directed, Undisputed Truth, for HBO next month.
Marni Nixon’s voice was dubbed in films for Audrey Hepburn,Monroe,Deborah Kerr, Natalie Wood, and Rita Moreno. Dubber Nixon,83, on Les Miz: “Certain people that they hired were questionable vocally. I would have rather had it dubbed.”
Theater artist Lisa Schlesinger, inspired by Slow Food Movement, calls for a Slow Theater Movement. “In the commercial world, time means money but in a creative world time means possibility.
A Night With Janis Joplin will be on Broadway! Opens at Lyceum Oct. 10, starring Mary Bridget Davies (she was also in Love,Janis Off-Broadway). It’s fascinating to me that Todd Gershwin, great-nephew of George and Ira (whom I interviewed at 22) is producer of the show. The Gershwin estate reportedly sent Porgy and Bess director Diane Paulus a recording of Janis Joplin’s ” Summertime ” recording witha note: “Be bold.”
Kelli O’Hara and Steven Pasquale, currently unhappy couple in Far From Heaven, will star in The Bridges of Madison County, opening sometime in February
King Kong musical producer eyeing Broadway, but big enough theater is not available. (Why not just do it on the Empire State Building?)
Broadway dimmed its lights in honor of James Gandolfini, Tony nominee, who died last week of a heart attack at 51.
Bullets Over Broadway opens April 10 at St. James, starring Zach Braff, making his Broadway debut.
Zach Braff @zachbraff: Woody Allen asked me to star in his first Broadway Musical
“All progress is reversible,but I think …we’ve moved to a new place”~Tony Kushner on Supreme Court rulings
Smash will air on Ovation every Friday night starting July 19th. (The two seasons that were on NBC, not new ones) Are we allowed to rerun our snarky Twitter comments too?
Murder Ballad will close July 21, more than two months earlier than scheduled, having played 17 preview & 70 regular performances
Who’s playing Miss Hannigan in the new Annie movie? Naturally, Cameron Diaz. #huh?
There’s something that seems innately decent about actor David Morse — best-known to TV viewers for his roles on St. Elsewhere and Treme, and for portraying George Washington in the John Adams mini-series on HBO – which may be why he was so effective as the (somewhat) sympathetic child molester in Paula Vogel’s powerful and nuanced play “How I Learned To Drive.”
Director Scott Ellis employs Morse in an attempt to induce similar dissonance in Steven Levenson’s new play, “The Unavoidable Disappearance of Tom Durnin,” with less success.
Morse portrays Tom, a once-affluent, now disbarred lawyer who has just been released from prison, where he served five years for what we eventually learn is a Bernie Madoff-like scam on a much smaller scale, betraying his friends and acquaintances, and turning his family into pariahs.
Tommy Tune won NINE Tonys (1 for “Nine”) but has not been on Bway for 15 years. Now he may return, with either Top Hat or Fifty-Four Forever, about the Studio 54 days.
David Harewood, CIA chief blown up in Homelss, will play King Oberon in Julie Taymore’s Midsummer Nights Dream at Theater for a New Audience.
Sen. Charles Schumer will introduce The Stage Act of 2013, giving the same tax break to theater producers that TV and film producers currently receive
David Rogers, who died at the age of 85 earlier this month, made a career out of creating musical theater out of unusual works “Flowers for Algernon,” Aldous Huxley’s “Brave New World,” “The Sting,” “The Hobbit.”
The Internet has had a great impact on artistic legitimacy, prestige, status, say those in Howlround chat.
David Lawson @DTLawson Twitter has hipped me to tons of theater I wouldn’t have known about.
Leah Nanako @leahnanako The internet has had a tremendous impact on branding for young artists. Don’t think it gives us legitimacy though
Raymond McNeel @RaymondMcNeel Prestige comes from being able to attract the attention of the infinitesimally small yet influential theater press