Soshana Greenberg (@Vmarshmellow) I sang in the chorus of women/high school students. We opened the concert with Hamlisch’s choral piece Anatomy of Peace.
Blake Ross (@PlaybillBlake): Streisand’s lovely memory of meeting Hamlisch: “He was assigned to get me a chocolate donut…he brought me two… and so our love affair began”
Who will be the most produced playwright throughout the United States in 2012-2013? According to Theatre Communications Group, surveying its member theaters: David Lindsay-Abaire, with 19 productions, 17 of them productions of the play Good People, which is more than any other play (not counting the Bard & Christmas-related productions)
This is followed by Bruce Norris’s Clybourne Park and Matthew Lopez’s The Whipping Man.
David Lindsay-Abaire (@LindsayAbaire): That’s news to me. I hope it’s true.
@davidyazbek Most produced PLAYWRIGHT.PLAY-wright.400 dollars would eat up the royalties from five of those 17 productions.
— David Lindsay-Abaire (@lindsayabaire) September 19, 2012
Scarlett Johansson returns to Broadway as Maggie in Cat on A Hot Tin Roof., with Benjamin Walker as Brick, Ciaran Hinds as Big Daddy and Debra Monk as Big Mama, Opens Jan 17 at Richard Rodgers
This will be the sixth production of Tennessee Williams’ play on Broadway.
Jesse Eisenberg has snagged Vanessa Redgrave to star opposite him in his play The Revisionist, opening February 21 at Rattlesnake Playwrights Theater
Julia Roberts made her Broadway debut in “Three Days of Rain,” Daniel Craig in “A Steady Rain,” and now Jake Gyllenhaal is making his U.S. stage debut in a play that begins in a steady downpour and ends in a flood.
If there is a special connection between movie stars and watery stages, I haven’t found it yet. But I do see the fresh connections that young British playwright Nick Payne makes in the play in which Gyllenhaal is appearing at the Laura Pels, entitled “If There Is I Haven’t Found It Yet.”
Sergio Trujillo (Jersey Boys) will replace current choreographer in Hands on a Hardbody musical aiming for Broadway this season
My interview with the cast of Edward Albee’s Who’s Afraid of Virginia Woolf
As a child, Tracy Letts found it “very scary” to think adults behave as they do in Who’s Afraid of Virginia Woolf, which he is now starring in on Broadway.
“My adult life,” he told me, “has only confirmed to me that this IS how adults behave”
The Tonys won an Emmy, beating out The Grammys, Oscars, George Balanchine’s The Nutcracker and Louis C.K. in the category of best director of a variety show. Winner Glenn Weiss is in fact director the Emmy broadcast where he received his Emmy for the Tonys.
Ann, a new play written & performed by Holland Taylor, about Texas Gov. Ann Richards, opens on Broadway March 7, 2013
New York Independent Theater Awards 2012 list of winners: TDF, Ajax in Iraq, Advance Man, LoveSick, Conni’s Avant Garde etc
“I’ve never won an award in my life,” says Joe Osheroff, who just won 3, including Best Director for Homunculus: Reloaded
“Turning the cacophony of daily life into a coherent narrative is the job of the sound designer”- Jill duBoff, sound designer
David Cromer to direct new play by Richard Nelson, Nikolai and the Others, about Balanchine & Stravinsky, at Lincoln Center Theater. Opens May 6
Columbia University Jean Kennedy Smith have created new $100,000 Edward M. Kennedy Prize for Drama Inspired by American History. The first “EMK Prize” will be given in Feb 2013. Columbia University Libraries will also set up extensive website of the winning playwright’s work
My review of An Enemy of the People with Boyd Gaines. Not a real enemy — but not quite a hero.
A day before the opening on Broadway of “An Enemy of the People,” which is a play about the efforts to silence a difficult man, Wikileaks founder Julian Assange lashed out at Obama in a video presented at the U.N. General Assembly, for what Assange said was the president’s attempts to deny him his freedom of speech. Henrik Ibsen’s play may be 130 years old, but it proves timely time and time again.
Peter and the Starcatcher will close on January 20, 2013. A national tour of the Peter Pan origin play will begin in Aug 2013.
Show vs. Album
Debate proposition: Some original cast recordings are better than the shows they’re supposed to be a memento of. True? Example?
Rob Weinert-Kendt (@RobKendt) A lot of Sondheim, frankly.
Isaac Butler (@Parabasis): Company is a great example. The album is better: You don’t have to hear the book.
Michael Granoff (@mikejgr) Merrily We Roll Along
Leehee Kanne (@Leeheek): Women on the Verge is a good example. The score is glorious, the show was a jumbled mess. (still saw it 3 times though)”
Linda Buchwald (@PataphysicalSci) Thoroughly Modern Millie
Karen Wilson (@akaKarenWilson): The Producers (available for a penny on Amazon).
Broadway Stars Lost to Television?