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December 2017 New York Theater Openings

Four shows are opening on Broadway in December, two musicals and two plays, placing Mark Rylance in 18th century Spain, Lea Salonga in the Caribbean of the 19th and 20th centuries, and a mix of Broadway veterans and newcomers in post-Apocalyptic England and the underwater community of Bikini Bottom.

Off-Broadway, Chloë Sevigny is a single mother in the Greenwich Village of the 1970s, Danny Burstein a Jewish writer in the Russia of 1920, Constantine Maroulis as the czar of New York, and the Bengson’s with just 100 days to live. Off-Off Broadway: the Emma Stone character from La-La Land in drag, Tennessee Williams re-oriented by Mabou Mines (in its new permanent home), and health through hallucinogens.  With shows by companies with names like Hedgepig and Fiasco, how can you go wrong?

Below is a selection of openings in November on Broadway, Off-Broadway and Off-Off Broadway, organized chronologically by opening date. Each title is linked to a relevant website.

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What to See on Broadway Thanksgiving Week 2017

Scroll below for the Broadway schedule for Thanksgiving week.

On Thanksgiving Day this year, theater lovers will be able to see “SpongeBob SquarePants”  twice — both as a balloon and as the Broadway musical in the 91st annual Macy’s Thanksgiving Day Parade. What we won’t be able to see on Thanksgiving Day is the Broadway musical on Broadway. It’ll be dark that day.

BUT

A number from that show, along with one from Tony-winning musical  “Dear Evan Hansen” and “Once on This Island” will be on NBC and Telemundo.

That’s a cranberry pie on her head.

“Waitress” WILL be performing on Broadway that day — AND you can also watch its cast during the parade, on CBS.

And Thanksgiving WEEK is full of performances — extra ones on the Monday before and the Friday after turkey day.

Below is the Broadway schedule for Thanksgiving Week, and my recommendations for new shows that have opened this season so far, and for evergreens suitable for young children.

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November 2017 New York Theater Openings

In the five Broadway shows opening in November, Amy Schumer and Uma Thurman are making their Broadway debuts; playwrights Ayad Akhtar and Steve Martin are delivering new plays; and two shows that were acclaimed Off-Broadway are transferring intact. Off-Broadway plays are taking place in China and Ghana and Ireland and the mythical Mount Crumpit.

Below is a selection of openings in November on Broadway, Off-Broadway and Off-Off Broadway, organized chronologically by opening date. Each title is linked to a relevant website.

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October 2017 New York Theater Openings

 

Bruce Springsteen makes his Broadway debut in a show that combines memoir with rock n roll, and that relatively few of his fans will be able to see. It is one of three shows opening on Broadway in the month of October. Off-Broadway Joe Papp is making a debut of sorts — as a character.

There are new plays opening in October about life under a dictatorship; under siege; in a world of total environmental disaster; and in prison (there are two prison plays opening Off-Broadway); as well as plays about life as an addict, and on the autism spectrum. There are also comedies about widowhood and overeating. Popular shows by Harvey Fierstein, David Henry Hwang and Stephen Adly Guirgis are getting new productions.

Below is a selection of openings in October, organized chronologically by opening date. Each title is linked to a relevant website.

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September 2017 New York Theater Openings

Sex and violence — also sex, drugs and rock n roll — are the subjects of several shows opening Off-Broadway and Off-Off Broadway in September (There are no Broadway openings.) But the month also introduces plays about the very old, and for the very young.

Below is a selection of openings in September, organized chronologically by opening date. Each title is linked to a relevant website.

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Off Broadway Fall 2017 Guide

Off-Broadway in the Fall promises a homoerotic dystopia (“A Clockwork Orange”); a revival of Harvey Fierstein’s breakthrough play starring Michael Urie (“Torch Song”); bio-dramas about a transgender etiquette teacher (Charm) and Public Theater founder Joe Papp (“Illyria”), as well as a debate among Thomas Jefferson, Dickens and Tolstoy about religion (“Discord.”)  There are hip makeovers of Shakespeare, Sophocles and Jane Austen;  an immersive visit to a Korean pop music factory by the same theater that developed The Great Comet; and plays by Julia Cho, Caryl Churchill, Amy Herzog,Rajiv Joseph, Sarah Ruhl, Simon Stephens, John Patrick Stanley, Anna Ziegler (two!), and Stephen Adly Guirgis (three!)

 

 

Unlike Broadway (See my Broadway 2017-2018 Preview Guide),  Off-Broadway is full of theaters/theater companies that present whole seasons of original or originally interpreted work.  That’s why my Off-Broadway preview below largely groups shows according to the theaters that are producing them, most of which offer subscriptions and/or memberships. I list the theaters in order of my preference for them (determined by such factors as their recent track record, the promise of the new season, and by my overall experience interacting with them as theatergoer and as critic.)

I’ve put a red check mark —  — besides a handful of shows opening in the Fall about which I’m especially excited, or intrigued, or at least notably hopeful.

(The asterisk *, explained more fully at the bottom, indicates those theatrical empires that have both Broadway and Off Broadway venues.)

PLAYWRIGHTS HORIZONS

416 W. 42nd St. Twitter: @PHNYC

Annie Baker’s “The Flick” is one of six plays that originated at Playwrights Horizons that have won the Pulitzer Prize for Drama. The theater offers new plays and musicals that are consistently worthwhile, in an environment that feels dedicated both to the theater artists and the theatergoers.

For Peter Pan on her 70th birthday

August 18, 2017 – October 01, 2017  Opens September 12.

A play by Sarah Ruhl: “Playing Peter Pan at her hometown children’s theater is one of Ann’s fondest, most formative memories. Now, 50 years later, Neverland calls again, casting her and her siblings back to this faraway dreamscape where the refusal to grow up confronts the inevitability of growing old.”

The Treasurer

September 06, 2017 – October 22, 2017

A play by Max Posner, directed by David Cromer: “Ida Armstrong is broke, lonely, and fading fast. And she’s spending all of her children’s money, forcing her son to assume the unwanted role of The Treasurer: an arrangement that becomes untenable the more he questions his devotion to her.”

 

THE PUBLIC THEATER

425 Lafayette Street and in Central Park. Twitter: @PublicTheaterNY

Having originated both Hamilton and Fun Home, the Public is on a roll, the latest of many in the successful downtown empire that Joe Papp created half a century ago. (One of the plays this season is about Papp!) The Public is so popular these days that members have been complaining that their membership doesn’t guarantee tickets to the Public shows they want to see.

Public Works’ As You Like It

September 2 – September 5.

It’s now a Labor Day weekend tradition, to stage a Shakespeare play as a spectacular employing some 200 professional and amateur actors at the Delacorte Theater in Central Park. Shaina Taub has composed the songs for this musical version of Shakespeare’s  tale “of faithful friends, feuding families and lovers in disguise.”

Measure for Measure

September 17 – November 5, 2017

The innovative avant-garde theater company Elevator Repair Service adapts Shakespeare’s play about “impossible moral choices in 17th century Vienna” using athletic theatricality and Marx-Brothers-inspired slapstick.

Tiny Beautiful Things

Strayed/Vardalos

Strayed/Vardalos

September 19 to November 12.

Nia Vardalos (My Big Fat Greek Wedding) plays Sugar, an anonymous online advice columnist in a Vardalos’ stage adaptation of the book of the same name by Cheryl Strayed. Directed by Thomas Kail (Hamilton.) This an encore presentation. My review of the play when it was presented last year.

Oedipus El Rey

October 3 to November 19. Opens October 24.

Playwright Luis Alfaro has set this Greek tragedy in South Central LA and recast the hero as “a troubled Latino whose dreams of controlling his own destiny soar above the barbed wire of the prison where he’s spent his life.”

Office Hour

October 17 – December 3, 2017

Julia Cho’s new play about a teacher who compels her 18-year-old student to attend her office hours to discuss his violently obscene work.”The isolated young student in her office has learned one thing above all else: that for the powerless, the ability to terrify others is powerful indeed.”

Illyria

October 22 – November 26

Richard Nelson (the Apple Family plays and the Gabriels) directs his play about the 1958 fight by Public Theater founder Joseph Papp  over free Shakespeare productions in Central Park.

 

The Winter’s Tale

November 26 – December 17

The Public Theater’s Mobile Unit production of Shakespeare’s play, directed by Lee Sunday Evans

 

 

NEW YORK THEATER WORKSHOP

79 East 4th Street. Twitter: @NYTW79

NYTW got much attention two years ago for presenting David Bowie’s musical “Lazarus,”   and last year for its “Othello” with movie stars Daniel Craig and David Oyelowo. Its fare has ranged from the innovative and tuneful — “Hadestown” — to the cutting edge and incomprehensible — “Fondly, Collette Richland”

Mary Jane

Amy Herzog, Anne Kauffman

September 6, 2017—October 15, 2017

Written by Amy Herzog and directed by Anne Kauffman. “During a rain-drenched summer in New York City, an indefatigable single mother navigates the mundane, shattering and sublime aspects of caring for a chronically sick child.” Stars Carrie Coon.

Hundred Days

November 15, 2017—December 31, 2017

A musical about having only 100 days to live.

Three exciting-sounding new plays for which NYTW has not provided the dates as of yet:

An Ordinary Muslim, by Hammaad Chaudry, directed by Jo Bonney

Light Shining in Buckinghamshire, by Caryl Churchill, directed by Rachel Chavkin

The House That Will Not Stand by Marcus Gardley, directed by Lileana Blain-Cruz

SIGNATURE

480 West 42nd Street. Twitter: @signaturetheatr

As the first New York theater to win the Regional Tony Award, the Signature now has some solid proof of what has been clear to its patrons for years.  What has distinguished this theater is not only its track record, but its commitment to keep the price of all tickets for initial runs to $30.

With the recent expansion of both their facilities and their mission, some longtime subscribers have had to adjust to the introduction of work by more untested playwrights. This is the second season under new artistic director Paige Evans, who headed Lincoln Center’s LCT3. Signature’s founding artistic director James Houghton died in August, 2016. This season looks more exciting in the Spring.

The Red Letter Plays: Fucking A

August 22  – October 1, 2017 

Suzan Lori Park’s first of two plays based on Nathaniel Hawthorne’s The Scarlet Letter. Christine Lahti portrays an abortionist trying to free her son from prison

The Red Letter Plays: In The Blood

August 29 – October 8, 2017

Hester La Negrita is a penniless mother of five condemned by the men who love her.

Jesus Hopped The ‘A’ Train

October 3 – November 12

The first of this season’s plays at the Signature by Stephen Adly Guirgis: “Angel Cruz is a 30-year-old bicycle messenger awaiting trial for the death of the leader of a religious cult. Inside Rikers Island, a terrified Angel is befriended by a charismatic serial killer named Lucius Jenkins. Lucius has found God.” Directed by Mark Brokaw.

Spring:

Edward Albee’s At Home at the Zoo: Homelife & The Zoo Story

Paradise Blue by Dominique Morisseau

Our Lady of 121st Street by Stephen Adly Guirgis

A new play by Stephen Adly Guirgis

 

AtlanticTheaterlogoATLANTIC THEATER

On The Shore of the Wide World

August 23 – October 8, 2017

A play by Simon Stephens (The Curious Incident of the Dog in the Night-Time) about nine months that changed the lives of a family.

Describe The Night

Playwright Rajiv Joseph

November 10 – December 24

Set in Russia over the course of 90 years,  Rajiv Joseph’s new play traces the stories of seven men and women connected by history, myth and conspiracy theories.

 

 PRIMARY STAGES

The theater company takes up residence this season at the Cherry Lane in the West Village

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord

September 19 – October 22, 2017

Three historical figures who wrote their own version of the gospels debate religion, literature and marriage.

Pride and Prejudice

Kate Hamill and Mark Bedard in Pride and Prejudice at the Hudson Valley Shakespeare Festival, which is co-producing its transfer to Primary Stages.

November 7 – December 15, 2017

Kate Hamill (Bedlam’s Sense and Sensibility) adapts and stars in this playful adaptation of Jane Austen’s tale of outspoken Elizabeth Bennet and the aloof Mr. Darcy.

LINCOLN CENTER THEATER*

@LCTheater

LincolnCenterlogoThe shows at Lincoln Center’s Off-Broadway venues are inexpensive (especially at the Claire Tow theater, where initial-run tickets cost $20) and often rewarding.

After The Blast

October 7 to November 19. Opens October 23.

A play by Zoe Kazan “set in the wake of total environmental disaster, when the human population has retreated underground”

The Wolves

November 1 to January 7, 2018. Opens November 20.

Sarah DeLappe’s play about a teenager girls soccer team is being encored in a new venue. My old review of The Wolves.

ROUNDABOUT* LAURA PELS

The empire that is now Roundabout includes three Broadway theaters, and that’s where most of the attention is focused, mostly on star-studded revivals, especially musicals.  But its fourth building houses two Off-Broadway theaters (one of them a tiny “Black Box” theater.) It is in its Off-Broadway facility that Stephen Karam’s The Humans originated, which went on to Broadway and Tony love. The Roundabout’s “Underground” series discovers new playwriting talent, with tickets priced at $25.

The Last Match

September 28 – December 24, 2017. Opens October 24.

A new play by Anna Ziegler  about two tennis greats who are facing off in the match of their lives

Too Heavy for Your Pocket

September 15 – November 19, 2017. Opens October 5.

Jiréh Breon Holder’s play takes place in Nashville in 1961, when 20-year-old Bowzie Brandon gives up a college scholarship to join the Freedom Riders.

MCC THEATER

Address: The Lucille Lortel Theatre, 121 Christopher Street. 

Twitter: @mcctheater

Charm

August 31 – October 8. Opens September 18 

A play by Philip Dawkin. “When Mama Darleena Andrews– a 67-year-old, black, transgender woman — takes it upon herself to teach an etiquette class at Chicago’s LGBTQ community center, the idealistic teachings of Emily Post clash with the very real life challenges of identity, poverty and prejudice faced by her students. Inspired by the true story of Miss Gloria Allen

 

School Girls, Or The African Mean Girls Play

November 2 – December 10
Rebecca Taichman (Tony winner for Indecent) directs Jocelyn Bioh comedy about a fight over the Miss Universe pageant in Ghana’s most exclusive boarding school.

CLASSIC STAGE COMPANY

136 East 13th Street Twitter: @ClassicStage

Its 50th anniversary season is heavy on Shakespeare in the Fall, but in the Spring branches out to Tennessee Williams as well as an original play by Terrence McNally about Sergei Diaghilev’s Ballets Russe,and the first major New York revival of Carmen Jones, Oscar Hammerstein’s adaptation of the opera by Bizet with an all African-American cast.

As You Like It

September 13-October 22

Shakespeare’s comedy, with music by Stephen Schwartz, set in the Jazz Age.

The Stowaway

November 5 – 19

This play geared to children is “inspired by the plays and language of Shakespeare.” By Trusty Sidekick Theater Company, which uses puppetry and live music,

Fiasco Theater’s Twelfth Night

November 29-January 6

SECOND STAGE THEATER*

Second Stage will launch its first Broadway season at the Helen Hayes in Spring 2018, the fourth “non-profit” to produce theater both on and Off Broadway. I’m hoping this will encourage them to become literally more inviting to independent New York critics.

Torch Song

Michael Urie stars in the play that made its author and first star Harvey Fierstein famous, in a production directed by Moisés Kaufman.  “It’s 1979 in New York City and Arnold Beckoff is on a quest for love, purpose and family.”

MTC* At City Center

131 West 55th Street Twitter: @MTC_NYC

The theater has recovered from the public criticism of a couple of seasons ago that it lacks diversity in its offerings, but this “club” is still not especially welcoming to non-subscribers or independent professional critics.

 

The Portuguese Kid

September 19 – November 26. Opens October 24.

John Patrick Shanley directs his new romantic comedy about a habitually widowed woman (Sherie Rene Scott) who pays a visit to her second-rate lawyer (Jason Alexander), intending to settle her latest husband’s affairs.

 

Actually

October 31 – December 3

Anna Ziegler (Photograph 51) explores the issue of consent on  campus. “At a raucous party during their freshman year at Princeton, Tom and Amber connect in ways that seem innocent enough at first. But as things progress, they find themselves in murky territory.”

OTHER  HIGHLIGHTS

KPOP (Ars Nova)

September 5 – October 7, 2017

The world-conquering success of Korean pop music is the subject of this new immersive theatre piece in the theater that developed “Natasha, Pierre and the Great Comet of 1812.” The show, about a new record label on the eve of its launch, is put together by the theater companies Ma-Yi and  the Woodshed Collective, the latter of which did an amazing show called Empire Travel Agency, a kind of on-the-town spy-murder mystery.

A Clockwork Orange (New World Stages)

September 2 – January 6, 2018.  Opens September 25

A stage adaptation of Anthony Burgess’ dystopian novel, best-known for the 1971 Stanley Kubrick film, about a teenage hoodlum in the near future who is arrested, and brainwashed to be submissive by the authorities.

Downtown Race Riot (The New Group)

Chloe Sevigny stars in In Seth Zvi Rosenfeld’s play as a strung-out, free-wheeling single mom whose son Pnut and his Haitian best friend Massive wrestle with their obligation to join rioters in Washington Square Park in 1976 attacking any people of color they can find.

 

Other companies worth checking out:

St Ann’s Warehouse

Vineyard Theatre

Rattlesticks Playwright Theater

Mint Theater

Mayi Theater Company

Playwrights Realm

There are also commercial shows put together by independent producers that appear in theaters for rent, such as:

Cherry Lane Theatre
Daryl Roth Theatre
Gym at Judson
Lucille Lortel Theatre
New World Stages
Orpheum Theater
The Players Theatre
Snapple Theater Center
Theatre Row – The Acorn
Union Square Theater
Westside Theatre

*THE ASTERISK: Off-Broadway AND Broadway

*Just to complicate matters, several of the resident theaters also present shows on Broadway –  Lincoln Center, Manhattan Theater Company (MTC), the Roundabout Theater Company., and starting this season, Second Stage Theatre, which has bought the Helen Hayes. Their Broadway offerings are listed in my Broadway 2017-2018 Preview Guide.

What Is Broadway, Off-Broadway, Off-Off Broadway?

Off-Broadway theaters, by definition, have anywhere from 99 to 499 seats. If a theater has more seats than that, it’s a Broadway house. If it has fewer, it’s Off-Off Broadway.

There are some terrific Off-Off Broadway theaters, sometimes confused for Off-Broadway. These include (but are not limited to) The FleaLabyrinth Theater, and LaMaMa ETC.

Monthly Calendar of Openings

Because there are so many shows Off-Off Broadway, and their runs are so limited, I include them in my monthly theater preview calendar (along with Broadway and Off Broadway openings) posted near the beginning of each month.

FOR MORE INFORMATION

For more information about Off-Broadway, go to  The League of Off-Broadway Theatres and Producers (aka The Off-Broadway League).  This should not be confused with the Off-Broadway Alliance, which is a separate organization (though they should probably merge, no?)

August 2017 New York Theater Openings: Hal Prince, Michael Moore…and More

Michael Moore and Harold Prince have the month all to themselves, more or less,  at the center of the two Broadway shows opening this month. It’s unusual to have any shows open on Broadway in August. Usually, it’s a month filled with festival fare — but, for the first time in 20 years, there will be no  New York International Fringe Festival this August, thus minus its 200+ shows. Still, there are three other (much smaller) theater festivals opening this month, one of them new.

Below, shows with August openings arranged chronologically by opening date.Click on any title to get to its website.

Color key: Broadway: RedOff Broadway: blue. Off Off Broadway: Green. Theater festival: Orange

August 2

A Parallelogram (Second Stage Theater)

A new play by Bruce Norris, the author of Clybourne Park, stars Celia Keenan-Bolger as a woman who can see her future.

August 3

Curvy Widow (Westside Theater)

Nancy Opel stars in a musical comedy “based on a true story” as a 50-year-old widow going back into the dating pool.

August 6

summer shorts 59e59

Summer Shorts, Series B (59E59 Theater)

Plays by Neil LaBute; Chris Cragin-Day; Lindsay Craft and Andrew Leeds

August 7

Corkscrew Theater Festival (Paradise Factory)

Running Aug 7 – Sept 3, this new summer theater festival features five world premieres and five readings performed in repertory over four weeks.

August 10

The Terms of My Surrender (Belasco)

Michael Moore makes his Broadway debut in what promises to be a stand-up routine to take down Trump.

A Never-Ending Line (Players Theater)

A song cycle with music by Jaime Lozano and lyrics by nine women lyricists. “Inspired by his upbringing in a strong matriarchy, Lozano conceived the show as a tribute to the women in his life. The songs, performed by a company of four, explore the unique challenges women face in society today on the journey to find happiness, love, and meaning in their lives. ”

August 17

Come Light My Cigarette (Theater at St. Clement’s)

A new musical about a young actress who “is driven to confront the two most turbulent relationships in her life—her father, with whom she shares a volatile and shameful past, and her ex-lover, a powerful and controlling woman who was instrumental in making her a success.”

August 24

Prince of Broadway (MTC’s Samuel J. Friedman)

Musical numbers from shows in which Hal Prince served as a producer or director, such as “West Side Story,” “Fiddler on the Roof,” “Cabaret,” “Follies” and “Sweeney Todd.”

Directing Jonathan Bank
    Sets Vicki R. Davis
    Costumes Andrea Varga
    Lights Zach Blane
    Sound Jane Shaw
    Props Joshua Yocom
    Dialects & Dramaturgy Amy Stoller
    Casting Stephanie Klapper, CSA
    Production Stage Manager Pamela Edi

The Suitcase Under the Bed (Mint Theater at Theater Row)

An evening of four one act plays by Irish playwright Teresa Deevy (1894-1963), directed by Jonathan Bank.

August 27

Nathalie Ellis-Einhorn in I.M. LOST!

Dream Up Festival  (Theater for The New City)

The eighth annual festival will run August 27 – September 17, featuring more than 25 plays, 12 of them world premiere, four musicals, four on LGBTQ themes. One play comes from Iceland, “Guilty,”  about an infamous 19th century crime there. Another,”I.M. LOST!” is an “interactive clown show” based on interviews with clowns.

August 30

Inanimate (The Flea)

Nick Robideau’s play is about a woman who is in love with a Dairy Queen sign.  The play “explores objectum sexuality, feeling like an outsider, listening to your heart and finally, finding your tribe.”  But what’s most significant is that it’s the premiere play in the new million-dollar digs of The Flea, one of the consistently best Off-Off Broadway theaters in the city.
Here’s a video I put together of The Flea when they broke ground on the new building four years ago: