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by Jonathan Mandell

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Category: Essay

Author: New York Theater Published Date: July 28, 2021

Why I Resent “Come From Away”

Author: New York Theater Published Date: January 10, 2021

Theater and Democracy, born together, both now under attack.

Author: New York Theater Published Date: December 20, 2020

My Vision of 2020 in Hindsight: 7 Trends in Theater Revisited

Author: New York Theater Published Date: September 7, 2020

Labor Day and the Pandemic: Will there now be more theater about workers and working?

Author: New York Theater Published Date: January 1, 2020

Seeing 2020: Major Theater Trends of The Future?

Author: New York Theater Published Date: October 4, 2019

What is immersive theater? The six elements that define it at its best

Author: New York Theater Published Date: September 20, 2019

Broadway Live on Netflix and Audible and…

Author: New York Theater Published Date: September 2, 2019

A Question for Labor Day: Why is there so little theater about labor?

Author: New York Theater Published Date: May 9, 2019

Are Off Broadway Shows Redeemed or Ruined on Broadway?

Author: New York Theater Published Date: October 8, 2018

For Columbus Day: Christopher Columbus on Stage, from Lope de Vega to Eugene O’Neill to David Henry Hwang

Author: New York Theater Published Date: October 4, 2018

Are Actors’ Bodies Part of the Show, Or Off Limits?

Author: New York Theater Published Date: September 3, 2018

Plays for Labor Day. In praise of theater about unions, workers and workplaces.

By Jonathan Mandell

  • About Me
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  • Broadway 2021-2022 Season Preview Guide
  • Off Broadway 2021-2022 Season Preview Guide
  • August 2021 Theater Highlights: Homecoming Excitement

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Most Popular Posts

  • The 50 Best Plays of The Past 100 Years
  • Broadway 2021-2022 Season Preview Guide
  • In The Heights Movie: 10 Changes from the Broadway Musical
  • Digital theater Is here to stay, and other key conclusions from Sundance Institute's report from 76 arts workers on the future needs of live performance
  • Romeo and Juliet Off-Broadway Review: Elizabeth Olsen As Juliet At CSC
  • What is immersive theater? The six elements that define it at its best
  • Book Review: Putting It Together: How Stephen Sondheim and I Created "Sunday in the Park with George"
  • Hamilton 2020 Quiz
  • Critical Care Review: TNC’s Summer Theater Coronavirus Clowning and Social Consciousness
  • Sex With Strangers Review: Love Is Breaking Bad

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Recent Posts

  • Digital theater Is here to stay, and other key conclusions from Sundance Institute’s report from 76 arts workers on the future needs of live performance August 4, 2021
  • Critical Care Review: TNC’s Summer Theater Coronavirus Clowning and Social Consciousness August 3, 2021
  • August begins with Broadway excitement and COVID uncertainty. Mask and vaccination mandates. #Stageworthy News of the Week. August 2, 2021
  • August 2021 Theater Highlights: Homecoming Excitement August 1, 2021
  • Theater Quiz for July, 2021 July 31, 2021
  • Book Review: Working Backstage July 30, 2021
  • Why I Resent “Come From Away” July 28, 2021
  • #Stageworthy News of the Week: Covid isn’t over. Andrew Lloyd Webber: Why can’t Britain be more like Broadway? Marge’s a Star. July 27, 2021
  • Twilight: Los Angeles 1992. Anna Deavere Smith’s Startling, Timely Documentary Theater 30 Years Later July 24, 2021
  • Last Chance Theater to See This Weekend: Seven Sins, Godot, East to Edinburgh… July 23, 2021

New York Theater Archives

Categories

"Current" Broadway Shows

  • Ain't Too Proud
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  • Book of Mormon, The
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Theater blogroll

  • 2 a.m. theatre (inactive)
  • About Last Night, Terry Teachout
  • Adam Szymkowicz Playwright Interviews
  • American Theater Critics Association
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  • Drama Book Shop Blog (inactive)
  • Everything I Know I Learned from Musicals, Chris Caggiano (inactive)
  • Feminist Spectator
  • From The Rear Mezzanine, Oscar Moore
  • George Hunka
  • Howard Sherman
  • Howlround
  • JK's Theatre Scene
  • On Stage
  • PataphysicalSci, Linda Buchwald
  • Stagezine, Scott Harrah
  • The Producer's Perspective, Ken Davenport
  • The Wicked Stage. Rob Weiner-Kendt
  • Theatre Aficionado at Large, Kevin Daly
  • Theatre's Leiter Side

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