World Theatre Day 2020. Celebrate Theater Without Theaters!

 

World Theatre Day logo
World Theatre Day logo

Today is the 59th annual World Theatre Day. Created in 1961, it  is celebrated annually on March 27. With much of the world in lockdown to curb the spread of the coronavirus, we may not be able to enter one of these gorgeous buildings to see a show, but we can celebrate theater in our hearts — and online.

After all, theater is more than a group of buildings, beautiful as they are. This is not to dismiss their power. On a tour of (the outside of) Broadway theaters published earlier this week, architect and set designer David Rockwell recalled his first visit as a child to Broadway for a show (“Fiddler on the Roof”), which included dinner in the theater district (Schrafft’s), as a fully integrated and awe-filled experience: “The combination of movement, storytelling and design — it changed my life, especially this feeling of being welcomed, into a restaurant, a theater, becoming part of a larger drama. That seemed deeply human. It’s what you can feel coming to Broadway. These theaters still thrive, I think, because of this human need to come together and celebrate.”

At a time when we can’t come together in any conventional way, we can still celebrate theater’s 2,500 years of history, and literature, and tradition. We can celebrate the way theater helps us understand the world, and discover ourselves.

Below, ten facts about theater

Marble disk with two theater masks in relief, 3rd quarter of 1st century A.D.
Roman, Early Imperial
Marble; Diam.: 13 1/16 x 3 3/8 in. (33.2 x 8.5 cm)
The Metropolitan Museum of Art, New York, Rogers Fund, 1913 (13.229.6)
http://www.metmuseum.org/Collections/search-the-collections/248802

Top 10 facts about theater,

1. Theatre as we know it began in ancient Greece with a religious ceremony called ‘dithyramb’ in which a chorus of men dressed in goat skins.

2. The word ‘tragedy’ comes from a Greek expression meaning ‘goat song’…

3. …and ‘theatre’ comes from a Greek verb meaning ‘to behold’.

4. Ancient Greek audiences stamped their feet rather than clapping their hands to applaud.

5. World Theatre Day has been held on March 27 every year since 1962 when it was the opening day of the “Theatre of Nations” season in Paris.

6. The longest continuous dramatic performance was 23 hr 33 min 54 sec achieved by the 27 O’Clock Players in New Jersey, USA, on July 27, 2010.

7. They performed The Bald Soprano by Eugene Ionescu, a play written in a continuous loop and said to be totally pointless and plotless.

8. According to Aristotle, the plot is the most important feature of a dramatic performance.

9. Walt Disney World, Florida, has a record 1.2 million costumes in its theatrical wardrobes.

10. The oldest play still in existence is The Persians by Aeschylus, written in 472 BC.

This year’s annual message is by Pakistani theater artist Shaheed Nadeem, who clearly wrote it before the current pandemic. A line in it could be taken as bitterly ironic:

“We sometimes say in jest; ‘bad times are a good time for theatre.’ There is no dearth of challenges to be
faced, contradictions to be exposed and status quo to be subverted.”

These bad times are not good for theater as we know it.  But UK critic Lyn Gardner recently reminded us that Plague shut down theaters in Elizabethan England in 1606. “The closure of theatres in 1606 eventually ushered in a new era with the creation of the indoor playhouse. It is possible the Covid-19 virus may play a similar role in shaping the theatre of the future.”

The U.S. World Theatre Day 2020 message was delivered by Nicholas Viselli, actor and artistic director of Theater Breaking Through Barriers

Art in the Time of Corona

As I sat down to draft these words, I had initially intended to illustrate the importance of theatre by sharing some personal insights surrounding our theatre and our artists. I planned to tell some of the stories we accumulated during Theater Breaking Through Barriers’ 41-year history: How we began as a company that integrated blind, low vision and sighted actors during a time when theater by disabled performers was considered more therapy than art. How we eventually expanded our mission to include artists of all abilities and disabilities and how we fought — and continue to fight — for full inclusion for our artists and our company, both here in New York City and in the world-at-large.

I intended to argue that people with disabilities have been discriminated against since the dawn of time and negative perceptions surrounding disability have been hard-wired into each of us from infancy, even though disability – just like hair or skin color – is merely a human characteristic that doesn’t devalue a person’s inherent significance.

I wanted to comment on the many discussions in which we’ve participated concerning diversity, equity and inclusion – and how they all focused on race, gender, and sexual orientation, virtually segregating disability from each conversation. This was particularly troubling since disability is the only diversity that exists within all other diverse populations – it knows no age, race, religion, gender, or sexual orientation — and if we could gather together the entire 15 percent of the world’s disabled population into one place, it would become our third largest country.

As we honor world theatre by celebrating all that makes us unique, we must not allow our differences to divide and polarize us, as it has with the politics of our world today. Before we celebrate diversity, we must first recognize all that makes us the same. Until we can look beyond the physical and realize that we all have common needs and desires, our differences will matter very little. It is only when we can recognize ourselves in others that our differences shine and become worthy of celebration.

Theatre, our profession, which iconically celebrates the human condition – and which we celebrate today – teaches and enlightens us, allowing us to empathize and grow. Theatre transforms us and makes us different from who we were before experiencing it. It grabs us by our imaginations and takes us places we can only dream of going. To put it simply: Theatre is life without limitations.

It is our company’s overarching mission to alter, once and for all, the negative misperceptions surrounding disability in our world today. We work rigorously to create theatre where disability is woven seamlessly into the fabric of each of our productions and our artists are not recognized for their disabilities, but for what they, as artists, bring to the work.

To accomplish our ambitious mission, we are working to build an international coalition of arts organizations, who, like us, feel that amplifying the voices of the underserved will only strengthen the art we all strive to create. We’ve traveled to Europe and Asia and have begun partnering with companies who share our common ideals. After 41 years as a New York theatre institution, we are finally just beginning to see positive breakthroughs in our industry for our artists.

I planned to conclude this address by making a final appeal to all of you: Be bold in the artistic choices you make. Reach beyond yourselves. Explore what you fear. Dare yourselves to embrace other cultures with open arms. Finally, do not fear those who appear different than yourselves. When you look closely, you will see at our core that we are all truly the same, despite the myriad of differences that make each of us a singularly unique and sacred vessel.

This was to be my address commemorating International Theatre Day, 2020…

And then quite suddenly, our world swiftly and sharply changed.

Within hours, our entire country ground to a complete standstill as the Covid-19/Coronavirus pandemic took center stage – disrupting international travel, restricting all social gatherings, canceling all forms of group entertainment, closing schools, shutting down our theatres – and literally slamming our world to the mat with a crippling and morbid shutter. Life as we know it will never be the same.

While the physical, social and economic ramifications of what we are all now experiencing remain to be seen, one thing is absolutely certain: All of us in every corner of the world are now living with the disability of a global pandemic. As one of our great disabled U.S. playwrights, John Belluso, once said: “Disability is the only minority class which anyone can become a member of at any given time.” It appears that a minority population has – at least for now – become the majority.

As the hours pass, our plight becomes more and more grim. We are being forced by circumstances beyond our control to self-quarantine and remain confined. We must distance ourselves from others avoiding contact at all costs. It appears as if the divisions that have gripped us these past several years have now mutated and are symbolically expressing themselves in a way never before experienced in our lifetime. We are shocked and we are shaken to our very core.

And yet, we are all in this together.

As this global outbreak unfolds and continues to restrict us from practicing what we celebrate here today, perhaps this time of confinement will ultimately help to burn away the polarizing walls that divide us, revealing a strong, unbreakable framework that links us all together. Perhaps this disruption will force us to slow ourselves and take stock in what truly matters. Perhaps one day soon we will gather together in celebration to tell an age-old story about an evil dragon that threatened our world – and how we all band together as one to defeat it. Perhaps.

It has often been said that the most severe trials and harshest of crucibles will ultimately generate the richest and most significant art. If this is true, then it is my wish for all of us during this World Theatre Day that the ordeal in which we currently find ourselves will ultimately deliver us to a global renaissance of new art and a lasting fellowship, the likes of which have never been seen!

Be safe. Stay healthy. Happy World Theatre Day, now and always.

Advertisements

Author: New York Theater

Jonathan Mandell is a 3rd generation NYC journalist, who sees shows, reads plays, writes reviews and sometimes talks with people.

Leave a Reply