Theater lovers tend to look for members of our tribe in whatever’s happening in the world. That means in Hollywood, of course, but it also means in Parkland, Florida.
The theater veterans nominated for the 90th Academy Awards, include Laurie Metcalfe (returning this season to Broadway in Three Tall Women), Denzel Washington (this season on 
Broadway in Iceman Cometh), as well as Frances McDormand, Christopher Plummer, Sam Rockwell, Saoirse Ronan, Meryl Streep (of course, nominated for the 21st time)…and newcomer Timothée Chalamet
What I wrote about Chalamet in Prodigal Son in 2016: “Chalomet’s performance strikes me as the sort of magnetic stage debut that marked young actors in the past as stars of the future – actors like John Garfield and Marlon Brando.”
We also find them among the eloquent survivors at Marjory Stoneman Douglas H.S. leading renewed mass movement for gun control, many of whom are members of the school’s drama club. “All these kids are drama kids,” says leader Emma Gonzalez (she’s one of them)
Michael Schulman points out in an article in the New Yorker that several of the school’s 
students are performing in a production of the musical “Spring Awakening,” which was written in response to the 1999 Columbine school shooting!
(Some of the students from the school, members of the Stoneman Douglas High School Wind Symphony, are in town this week, to see shows, and to perform at Carnegie Hall on Tuesday among the high school bands performing at the 2018 New York Wind Band Festival.)
Below: March openings, New York Theater Quiz Winter 2018, the best lines and licks from TEDxBroadway 2018, Women’s Day on Broadway, and a defense of Kumbaya
March New York Theater Openings
New York Theater Quiz Winter 2018
THE WEEK IN NEW YORK THEATER REVIEWS
Edward Albee’s At Home At The Zoo Review: His First Masterpiece, Vandalized But Vibrant
The Amateurs Review: Actors Escaping the Black Plague; Artists Contemplating Art
Black Light Review: Jomama Jones Makes It Alright
Is God Is Review: Relentless Afropunk Revenge
Two plays about Harvey Weinstein
THE WEEK IN NEW YORK THEATER NEWS
Women’s Day on Broadway, #WomenOfBroadway 3 panels
1.Spotlighting Marquee Women
2. Creating Leading Ladies,
3. Emerging from the Wings1-5 pm March 12, FREE, St James Theaterhttps://t.co/FnQ7LmzdwQ pic.twitter.com/FrSTLxDvKT
— New York Theater (@NewYorkTheater) March 1, 2018
Michael Riedel is leaving his full-time job as the theater columnist at the New York Post, to work at radio station 710 WOR as the co-host of a morning talk show with Len Berman. He may be the last of the New York theater columnists, but he won’t be giving up theater entirely. He may continue to write about theater freelance for the Post; he’ll talk occasionally about it on the radio; he’s writing a sequel to his theater book Razzle Dazzle.
Tatiana Maslany (Orphan Black) and Blair Brown are in the cast of Tracy Letts’ “Mary Page Marlowe” at Second Stage Theater.
Resources on Sexual Violence and Misconduct in Theatre
from @TCG, including hotlines, activist groups, and various codes of behaviorhttps://t.co/qhxVtksCEY— New York Theater (@NewYorkTheater) March 2, 2018
Rattlestick Playwright Theater’s 2018-19 season kicks off w/ a double bill by Samuel Hunter, Lewiston & Clarkston At a failing fireworks stand in Lewiston, Idaho, & across the river at a big box store in Clarkston, Wa, 2 descendants of Lewis and Clark struggle to find a way forward
Outside New York, Chicago and Los Angeles – Central Florida and Washington D.C./Baltimore. New Orleans is the greatest growing theater city, according to a survey by Actors Equity.
Scott J. Campbell, who most recently starred on Broadway as Gerry Goffin in Beautiful, has died, at age 33, reportedly taking his own life.
RIP Harvey Schmidt, 88, composer of 110 in the Shade, I Do! I Do! and, most famously, his very first musical, with lyricist Tom Jones, The Fantasticks.
…Try to remember, and if you remember,
Then follow.follow, follow, follow
TEDxBroadway 2018
We’re all hungry for entertainment
But these are distractions. What we’re really starving for is connections with other people — @DavidYazbek, composer @TheBandsVisit#TedxBway— New York Theater (@NewYorkTheater) February 27, 2018
Moving story of Daniel Trush injured, in a 30-day coma, his father Ken Trush vowing to make a difference. After he recovered, together they created @DanielsMusicFdn. To learn more: https://t.co/u6m7uSwuh3#TedxBway
— New York Theater (@NewYorkTheater) February 27, 2018
Daniel Trush’s mantra while recovering from injury
Mile by mile is a trial
Yard by yard boy is hard
Inch by inch is a cinch
(Good philosophy!)#TEDxBway— New York Theater (@NewYorkTheater) February 27, 2018
A show we like shouldn’t just inform us or affect us or entertain us. We should allow it to change us or rearrange us
So that WE can be the best of Broadway
–@fooliejulie #TEDxBway— New York Theater (@NewYorkTheater) February 27, 2018
“All I ever wanted in this life was to be safe,” says playwright @IoneLloyd.
But, as “black and woman and queer” her stomach wouldn’t stop hurting her. So she wrote a play about black women and trans women getting murdered. Then her stomach stopped hurting.— New York Theater (@NewYorkTheater) February 27, 2018
At age 41, Ron Simons, computer expert, became a working actor. His first role: Pimp. 2nd: drug dealer 3rd fat homoicidal black man
“I realized I could have more impact in the world by producing and creating work.” Hence @SimonSaysEnt #TEDxBway pic.twitter.com/NZ692s17ne— New York Theater (@NewYorkTheater) February 27, 2018
To promote Broadway/theater diversity, @JimJosephNYC quotes @TCG: We work better together #because of differences, not #despite them.#TedxBway
— New York Theater (@NewYorkTheater) February 27, 2018
IN DEFENSE OF KUMBAYA
Two plays this week mocked the song Kumbaya
In “An Ordinary Muslim,” Azeem, the character of the title, says to his (Caucasian) boss at the bank: “Maybe America will start another war bombing Muslims, then liberals will like my people again, take to the streets, and we’ll all be marching together, holding hands, singing Kumbaya. But till then, we’re not on the same side. So I have to make sure my side wins.”
In “Relevance,” the long-famous feminist Theresa rants to her agent David:
THERESA
Tough because I have to be. Because contrary to what people who grew up under Hope-y Change-y kum ba yah bullshit like to think, the way you win these fights is to take them on bluntly. Together. And for her and to stand ahead of what people like me and Erica Jong and Susan Faludi and other women I came up with accomplished..
DAVID
First, I don’t think we can say “kum ba yah” anymore…
THERESA
It’s a goddamned Rabbi Schlomo gospel song.
DAVID
My daughter said, something about Native Americans…
THERESA That doesn’t even make sense!
Kumbaya, a spiritual first recorded in the 1920s, was initially a soulful cry by black people in the South suffering from lynch mobs and other Jim Crow oppression. So, stop the mockery please.
Someone’s singing Lord, Kumbaya
Someone’s crying Lord, kumbaya
Someone’s praying Lord, kumbaya
So buzz off, Kumbaya haters
