Max Posner’s play is called The Treasurer because a grown man is forced to take responsibility for the finances of his aged, widowed mother. But the title also suggests that he will take stock of the sort of debts that can never be repaid – the emotional ones accrued within a family.
If the premise is not novel, one look at the theater artists involved in The Treasurer offers the promise of a big payout. Deanna Dunagan, who won a Tony for her role as Violet Weston in the Broadway production of August: Osage County, portrays the mother. The son is Peter Friedman, a veteran Off-Broadway actor (Circle Mirror Transformation, Hamlet with Oscar Isaac) whose presence elevates nearly everything he’s in. Its director, David Cromer (Our Town, Tribes, The Band’s Visit, soon to be on Broadway), has an ability to turn even an old warhorse into something aesthetically fresh and emotionally real.
The Treasurer is, as expected, wonderfully acted, and there are a good number of solid scenes, some funny, some moving. But one walks away from The Treasurer as from a family reunion that wasn’t as satisfying as one had hoped.