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The Liar: Review and Pics of Alternative Facts from 17th Century

In The Liar, the title character wonders whether, given his disposition, he should become a politician. But, if David Ives’ version of Pierre Corneille’s 1644 verse play may benefit from new relevance (what I call the Trump Effect), its main strength lies not in its timeliness or plot but the subversive whimsy of its language….

In his 21st century take on iambic pentameter, Ives rhymes “exit” with “sexted,” “idea” with “diarrhea,” and “muck” with “schmuck.” And he deliberately mangles Shakespeare: “But soft! What light on yonder sidewalk cracks!”

I can’t remember a play in which the playwright so obviously enjoyed his own cleverness, while at the same mocking his efforts

 

Full review at DC Theatre Scene

 

 

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About New York Theater
Jonathan Mandell is a 3rd generation NYC journalist, who sees shows, reads plays, writes reviews and sometimes talks with people.

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